Friday, November 30, 2007

James Taylor Hourglass Rock Music CD Review

Very talented Rock creative person Jesse James Deems Taylor have released him up-to-the-minute cadmium titled Hourglass and Wow! It's really a good one.

Refreshingly, this was 1 of those CDs I was able to just protrude in and comfortably listen to from beginning to end. Every path is gratifying and was pretty easy for me to listen to from start to finish.

These years it's a very rare cadmium on which every single song is good or better than the 1 before it. This cadmium is certainly one of those rare CDs.

I give Hourglass my peak recommendation. It just apparent belongs in any serious music aggregators aggregation regardless of genre preference.

While the full cadmium is really very good some of my favourites are path 1 - Line 'Em Up, path 6 - Jump Up Behind Me, and path 12 - Walking My Baby Back Home

My Bonus Pick, and the 1 that got Sensitive [...as in "Stuck On REpeat"] is path 9 - Up From Your Life. Great track!

Hourglass Release Notes:

James Deems Taylor originally released Hourglass on May 20, 1997 on the Columbia River label.

CD Path List Follows:

1. Line 'Em Up

2. Enough To Be On Your Manner

3. Little More Time With You

4. Gaea

5. Genus Ananas

6. Jump Up Behind Me

7. Another Day

8. Up Er Japanese Apricot

9. Up From Your Life

10. Yellow And Rose

11. Boatman

12. Walking My Baby Back Home

13. (untitled) - (hidden track)

Personnel: Jesse James Deems Taylor (vocals, acoustic guitar, harmonica, penny whistle); Valerie Carter, Saint David Lasley, Kate Markowitz, Matthew Arnold McCuller, Ted Shawn Colvin, Jill Dell'Abate, Sting (vocals); British Shilling Horace Mann (guitar); Dan Dugmore (pedal steel guitar); John Ross Traut (high strung guitar); Mark O'Connor (fiddle); Yo-Yo Ma (cello); Stevie Wonder (harmonica); Branford Marsalis (soprano & alto saxophones); Michael Brecker (tenor saxophone); Clifford Howard Howard Carter (keyboards); Jimmy Samuel Johnson (bass); Edgar Meyer (acoustic bass); Carlos Lope De Vega (drums, percussion).

Recorded at Chalker's Creek, Martha's Vineyard, Massachusetts; Westlake Audio, Los Angeles, California; Right Path Studios, New York, New York.

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